We Publish Narrative Non-Fiction Books
Narrative Non-Fiction is a genre that explains real facts, research, and records using the narrative styles of a fiction book.
Imagine following a Civil War through diary entries of a soldier writing by campfire each night. Or imagine learning economics through the story of a struggling baker. These narrations make dry facts or records a lot more interesting, impactful, and memorable. You are both informed and entertained.
First Release
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Autopsy Style Narration
Productivity Genre
Monologue Style Narration
Spirituality Genre
Epistolary Style Narration
History Genre
Our Reason to Exist?
Narratives inform and entertain.
Fiction books are good at illustrating a point. But it's imagined, and the mind knows it. The impact on us is not as strong because of fiction penalty (a well proven cost). Non-fiction is credible. But ideas alone rarely move people. Narrative Non-Fiction sits in between and satisfies two needs simultaneously. The desire to grow and to be entertained by a well-told story.
Some ideas cannot be explained.
History, human nature, spirituality, these topics are too complex for a lesson and too real for fiction. Narrative non-fiction embeds ideas in real-world contexts, allowing readers to learn through experiences rather than explanation alone.
Ideas that travel in this format actually changes behaviour.
A regular Non-fiction book lets you study the map. But a Narrative Non-fiction book will take you on a walk through that city. When you walk through the city, you understand better, interpret things on your own, and remember it for longer.
Why do our readers love us?
In addition to our fun narrative styles?
Our books tend to think out loud on the page.
We care a lot about making readers feel like they are arriving at an understanding instead of being lectured into one. Your understanding deepens when you participate in the thinking.
Our books have a bias toward action.
We have a way to prompt you into thinking, debating, contextualising. You work through the ideas rather than passively receive it.
Our books allow readers to build their relationship with the text.
When the author comes in as an expert, the mind does not think to question that. We come as story tellers. Stories create room to question, disagree, reflect, and form your own understanding.
Get to Know Us!
Yuval Noah Harari, author of the book Sapiens, sold over twenty million books.
Harari once said about writing Sapiens: "This is so banal!..There is absolutely nothing there that is new. I'm not an archeologist. Im not a primatologist. I mean, I did zero new research. It was really reading the kind of common knowledge and just presenting it in a new way."
Harari took what was already known and wrote it better than anyone had done before. His research, synthesis, and writing. it was all really exceptional.
Inkubator also exists to surface the most consequential ideas and present them in forms people can actually absorb, remember, and carry with them.
The world already has so many ideas. So much great research exists. But the problem is how it is presented. How it is absorbed (or rather not absorbed) by the readers. We want to work towards that.
We want to explore existing ideas, and write them from a point of view that is new, interesting, and impactful in someone’s life.
When we say take existing ideas and bring it to you, it does not mean that we summarise or reword the existing ideas. We want to bring interesting synthesis to it. New perspectives to it. Abstract more out of it. This is our intent.
Like Visa founder Dee Hock once said, "New ways of looking at things create much greater innovation than new ways of doing them."
We are not trying to become the definitive authority on every domain we publish in. We are not claiming to invent entirely new ideas.
We are claiming the craft: research depth, synthesis, interpretation, and the ability to present them in a way that's both fun and useful for the reader.
Hi, I'm Rachna Sekhrajka.
Before building Inkubator, I worked in consulting firms, startups, and corporates across Germany, the United States, and India. My career taught me many things. But one of those lessons is that the best ideas don't win. The best story wins.
I saw it in consulting, where clients chose ideas they could understand over the best ideas. I saw it with investors when they chose the best storytellers over the best founders. Communication is one of the most underrated drivers of impact. I was convinced of this.
With that conviction in mind, whenever I would read Non-fiction books (especially self-help), it really bothered me that some great and important ideas are always narrated in the most boring way (sorry, but this is true for many non-fiction books). The way they write hurts the reading experience, but also the impact. Great ideas stayed in the head of the readers, and rarely showed in their behaviour. Knowing ideas from someone explaining them inspire us, and builds our knowledge, but does not really change our behaviour.
I looked for what alternatives existed, and Narrative Non-fiction as a genre was the most convincing one.
But writing it is tougher than writing a traditional Non-Fiction Book. So most books are written as a lecture.
I challenged myself to learn the craft of writing good narrations. In many ways, it felt like a natural extension of everything I had done before. Rigorous research, deep understanding and synthesis of ideas, understanding how someone would absorb a particular idea. These are same skills I had spent years developing across consulting, fundraising, and my other roles. While learning and developing my craft, I wrote my first Narrative Non-Fiction book, The Upanishads and You. And slowly, steadily, it evolved into me building Inkubator Publication. A publication focused only on writing Narrative Non-fiction books.
My goal with Inkubator is to make great ideas more accessible and fun to learn. After all, ideas only change the world when people connect with them. And books remain one of the most powerful ways to make that connection. My hope is that we never stop reading books and learning from them.
There is a lot of conversation right now about the use AI in publishing. We want to address it directly.
A lot goes into building a single book. We divide this into two kinds of work.
There is technical work. Things like research, fact-checking, formatting, consistency checks.
There is creative work. Things like coming up with ideas, the narratives, the prose styles.
We use AI for the first kind of work. And a human team for the second kind of work. AI handles what is technical and repeatable. Humans handle what requires perspective, craft, and instinct.
That said, right now, our design language is built with AI tools. We are a young company, and for now, our resources go where they matter most: the thinking, the writing, the production. Design is one area where we work with AI, guided by our vision, taste, and personality. As we grow, we want to add more human powers into this area too.
Narrative non-fiction demands the best of two worlds. You need the rigorous research, accuracy, and factual grounding of a traditional non-fiction, plus the storytelling craft of a fiction. Unlike pure fiction, you can't invent; every detail must be true and verifiable. Unlike dry non-fiction, you can't just inform, it must read well.
We have worked hard on this craft, and continue to do so.
Authors interested in this format, we ghostwrite for you. But as of now, we do not onboard other authors. We are a single author press and publish through one creative core.
You can reach out at hello@inkubatorpublishing.com if you want us to help you write your book.